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Noeland

Member Since 12 Sep 2007
Offline Last Active Today, 12:36 PM
*****

Posts I've Made

In Topic: THE HATEFUL EIGHT

24 March 2016 - 01:50 PM

Yeah, I'm pretty much smack in the middle. I did not love it, I did not hate it. I enjoyed it for the 65/70mm panavision scope. The movie looked gorgeous. It was, despite the white landscape, a fairly colorful and lush looking film. 

 

The reasons I did not love it. I got really tired of the concept really fast. I enjoyed the ride in to the haberdashery, and even the character intros, but once Tarantino started to narrate . . . it just sucked me right out of the movie. The story just didn't have a compelling enough "twist" to make the final act of the film any more interesting than the first act. You knew something was up at the haberdashery immediately, so it just becomes about waiting to see how the violence will be inflicted instead of being about how the story will be told.

 

The reasons I did not hate it. Kurt Russell. Walton Goggins. Tim Roth. Sam Jackson. Jennifer Jason Leigh. Behind the Camera it was Robert Richardson's work on this film was nothing short of inspirational for me. Every shot in the film just made me want to pick up a camera again. And Ennio Morricone is always amazing. I bought the score as soon as I was done watching the film.

 

I read a few reviews that bashed the film for being a movie about unlikable characters. It is called The Hateful 8 though, so it's not like that was a big secret. That kind of thing never bothers me unless the story is clunky and this story felt really clunky to me. But I still enjoyed the character work.

 

But here is the thing about a film full of "bad guys". Asking the audience to care about who one particular bad guy is, or what they are after, what they are doing, amongst a film full of bad guys, isn't all that compelling. I didn't care who was after Daisy. I didn't care who poisoned the coffee. They were all worthy of death. It's a tough angle to get right in a film.

 

The violence felt like a continuation of Django Unchained. It was "splashy" bloodwork. Tarantino likes his spurting splashy blood. Doesn't bother me, or put me off. I just felt it didn't really fit this particular film. In Django there was like 12 people getting killed at once in a massive shootout, and the bloodwork became part of the balet, so to speak. It worked.

 

So yeah, I liked it. 

 

:)


In Topic: My love for Thomas Jane is alive and well..😏

06 March 2016 - 08:25 PM

Hello Sundance. You have to go to your profile, looks for the edit profile button, hit it, then you will see a "change my photo" button. That will allow you to upload a photo in a new window. It is recommended you use a 200px image, so that your profile picture is not crazy big.

 

Welcome to the boards. I'm a prop collector myself. 


In Topic: Music: what are you currently infatuated with?

28 February 2016 - 01:24 PM

Yes indeed. Lucero is favorite of mine. And the singer Ben Nichols put out a great solo CD too, written after reading Blood Meridian from Cormac McCarthy.

 


In Topic: So, 2016, what's on your agenda?

23 February 2016 - 10:38 AM

Good luck to you Raf. Hope it happens.


In Topic: The Veil

23 February 2016 - 10:30 AM

Enjoyed the film quite a bit more than I expected to. The idea behind the "cult" and what Jim Jacobs was trying to accomplish was presented in an intelligent way, and not played for cheap scares. I prefer that kind of horror to sharp music cues and such. 

 

For a film made for 4mil, I thought it looked just as good as the more expensive PG-13 fare that has been milled out for a lot more money. There was some lens distortion in a few shots that stood out to me, but otherwise I didn't find the look of the film off-putting. 

 

I'd love to see Phil make more movies. I really dig his work. 

 

 

i understand that Blumhouse is interested in taking Jim Jacobs and doing something like a miniseries about him and his merry band of insanity. could be fun

 

 

I would not mind seeing more of that. The best parts of the film took place with the cult, and with Jacobs. Without a doubt.